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All the recent images from the previous six months.

For a gallery of all works, please see the Archive >>>>>>>            

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All works that are currently available for purchase.
Please visit my Bluethumb Account for details.

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Major Works

Fine Art Prints

The Somerset Series captures the landscape of the beautiful 'Land Between the Lakes' in the Somerset Region of South East Queensland. These fine art prints are available framed/unframed for delivery in Australia, and unframed internationally.  A series of 14 x A3 (excepting one) prints on archival paper. Click to enlarge and view.

Appletree Creek
Wivenhoe Clouds
Villeneuve: Before The Drought Broke
Top of The Lake
October, Storm Approaching
Looking Southwards
Hamon Cove
Floating Land
Empty
Coal Creek
Deer Reserve
After Rain
Caboonbah Afternoon
Burrundon Bay
Fine Art Prints

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Sunday City Living

Fidelity Lithographs from a finite run of prints (pre-digital) reproducing the painting 'Sunday City Living' by Lynda Sampson.

 

(See more below)

Major Works

The Warrior Heart

The Warrior Heart

The Warrior Heart

Oil on Canvas

1830 x 1100mm

2024

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James Butler is a keen birder, physicist, grandfather and climate justice warrior. Jim authored a column about our local bird-life for 8 years for the monthly magazine I copy edit. I have come to know him as a loving and strong-hearted man with deep conviction, formidable intelligence, and much to share. His strong intent to raise awareness and convince fellow senior Australians to fight for just inter-generational heritage for grandchildren everywhere, sees Jim presenting talks about climate from an ornithological perspective, whilst undertaking political and ethical actions designed to effect change.

 

Jim has a deeply knowledgeable intellect, with a strong appreciation of classical music, art and science, and a profoundly nuanced understanding of the world around him, borne from an education gained within the Marist Brothers Priesthood. His broad understanding of art history meant that when I approached him to sit for me, he was very excited, and he undertook the task with deep commitment (as he does with everything in his life!). He was an expert sitter; calm, cooperative and present.

 

My approach was informed by traditional processes adopted by the Old Masters. Since Jim has an air of having stepped out of a Rubens or Titian painting, I felt this time-honoured method suited the final work. It was important to show Jim's life: his beloved birds, his data-driven methodology, his family focus, his desire to fight for climate justice, his love for classical music, and his (warmly) introverted nature. It was a wonderful and memorable experience for us both.

 

Technical details

The work features a Viridian green acrylic Grisaille under painting, with layers of oil glazes and highlights applied over the top. The final layer is a wax medium. The process was deliberately chosen in line with the subject. It was entered into the Darling Portrait Prize in January, 2024.

Transience to Perpetuity

'Transience to Perpetuity' is a large scale work created as the centrepiece of an exhibition I had at Marks and Gardener's Secret Garden Gallery at Mount Tambourine in 2007. The work is a Triptych oil on canvas that spans 4 metres in total, and features oil medium glazing. 

The work speaks to the fleeting passage of time, and the ephemeral nature of all things, alongside the potential of permanence, not only of those human exploits we choose to memorialise, but also the elements of the natural world we actively seek to preserve.

This work took four months to complete.

Sunday City Living

Oil on canvas

2800 x 1600mm

 

Painted in 1989, the painting shows a busy Sunday morning in the Brisbane City Botanic Gardens during the celebratory time following World Expo 88. The work captures the optimism and enjoyment of a time that many fondly remember as the moment when Brisbane passed from teenagehood into young adulthood. The Warana Festival, which centred on the Botanic Gardens, was one such major demonstration of community focus that this park has held a proud history of.

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I was lucky enough to land a role as Warana Festival's Artist in Residence in 1988, and in the same year, was a finalist in the 'Paint to Music' Workshop held by the French Pavilion at World Expo 88. These two  experiences inform the painting.

 

The original work, measuring 2.8 x 1.6m, was painted in oils on canvas and is held in a private collection. It was painted at the request of the late Mr Lester Padman, of Boolarong Publications, with the view of publishing the Lithographs. Boolarong was a well known Printing House in Brisbane, publishing fine art reproductions and books. The company sadly no longer exists, so the prints are a finite edition, though individually un-numbered.

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I acknowledge the Traditional Owners of Country throughout Australia and recognise the continuing  connection to lands, waters and communities. I pay respect to Aboriginal and Torres Strait Islander cultures; and to Elders past and present, and pay particular respect to the Wakka Wakka People on whose lands I live and work.

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